A Letter to My Younger Self

Blog, real life, writing

Dear 22-Year-Old Me:

After getting over the shock of discovering your older self is, in fact, a man, and hairier, smellier, and grubbier than you currently are, I expect you might be a tiny bit disappointed. (But not with the impressively groomed facial stubble.) I know that you didn’t expect your life to be like this, thirteen years in the future. I think you expected to be a university professor by this time (ha ha), rather than some dude who works part time as an adjunct. I think you also expected yourself to have written and published a few novels by now, and might look on this scruffy character — who will be you — as something of a failure. Not only is he one short bastard, and not only has he not even finished a single novel, he does not even give two shits about writing novels anymore. He has all these — novellas and short stories — just simmering away on his mental burners. But what does he really have to show for those thirteen years’ time, creatively speaking?

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Impoverishment

Blog, meta, writing

I’ve applied for a few Stegner Fellowships in my time, and inevitably found myself looking at the biographies for the current Stegner Fellows. Supposedly the fellowship takes people from all walks of life, with different educational backgrounds. The website for the Stegner Fellowship states that a degree is not a prerequisite for the program. And yet, fellow after fellow had matriculated in an MFA program, and published in all the “right” prestigious literary magazines, and was neither terrifically young, nor that old — probably most in their thirties. Most were white or white-passing. I would also bet that the vast majority were straight and cisgender, and hadn’t dealt with PTSD or mental illness.

I wish it wasn’t so, but most creative writing graduate programs suffer from the same lack of diversity the Stegner Fellowship does. It’s no wonder the fellowship is populated with the same people.

This is a problem which has been commented on a great deal, so I won’t bore you with the standard “but we must have more diversity and it begins with changing our gatekeeping practices” shtick. We know that. Of greater concern to me (and to the literary community of the U.S.) is the impoverishment of literature under these conditions.

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The Pleasures of Discipline

Blog, meta, writing

In my time as a writer, one persistent myth I’ve noticed, which clings to even seasoned writers, is that one should wait for inspiration. One doesn’t need to force words out with something as tedious and dull as discipline. Just let the words come naturally, as if by magic which came from rainbows farted out of a unicorn’s asshole.

Just like rainbows farted out of a unicorn’s asshole, the idea that most writers can get anywhere without discipline is false.

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Queer, Here (?)

Blog, meta

I’ve been getting back into submitting short stories and I am struck by the number of queer* journals and magazines handwaving their, well, queer content with phrases like “we don’t just publish queer content” or “it doesn’t have to be about that”.

qaf uk -- stuart oh yeah right

Okay mate, if you want to wuss out, be my guest. Because that is exactly what these magazines are doing. If I want to read queer content, I look to queer magazines and journals. Hello. By basically “watering down” their content, they betray the very reason they are supposed to exist, and they betray their core readers. And that last thing, to me, is one of the gravest sins a publisher or writer can commit.  You do not dis the reader. Ever.

If you publish queer content, publish queer content. Gleefully rub it in people’s faces. Don’t give a shit about people who squawk, queer or no. Just be out and proud about it. Like, “yes, we just published an explicit story about rimming, and next issue we have lesbian lovers working through parenting!” People haven’t died in a myriad of ways, from murder to AIDs, so you can wuss out and publish content that “doesn’t have to be about that” or whatever.

* Queer because it is the best all inclusive term, has been reclaimed since the ’80’s, and hints at radicalism.

ETA: I wrote a much more eloquent blog post on pretty much the same topic here. I guess it’s been bugging me for awhile?

Wolf and I

Blog, micropost, novella: the weight, writing

I was tagged on Facebook to list five things about my work in progress. I am on vacation from my novella and working instead on rewriting a short story. So here goes with facts about the short story:

1. The protagonist is a feral child (though, he’s not really a child), literally raised by wolves.
2. I have mentally cast Oscar Isaac in the role of the secondary protagonist, who develops a relationship with the protagonist. Isaac would be perfect for the role, you can’t convince me otherwise.
3. I think of “Wolves” by Selena Gomez as the current theme song for the project.
4. The secondary protagonist plays folk music on a guitar as a hobby. He loves Cat Stevens especially.
5. My protagonist likes to play with tin cans. They are shiny.